Review - Riki Michele - Surround Me

I haven't listened to this album since I reviewed it ten years ago... just haven't felt the need, if that tells you anything.

It has been nine years since Riki Michele's last release One Moment Please. A lot of water has passed under the proverbial bridge in nine years including her divorce from Gene Eugene, founder of the world's most under-appreciated, under-productive rock bands in history, Adam Again. Riki shook her lanky, whirling frame and sang background vocals for this great unknown, her haunting voice always adding a mysterious edge to the otherwise hard yet funky beat. While her first album was naïve and homespun and One Moment Please was a sophisticated blend of pop and rock, Surround Me is a mixture of trip-hop, electro soul, ethereal pop and chill out. As in the past, Riki writes and co-writes a good deal of the songs and her vocals are as enchanting as ever. Produced by the innovative Julian Kindred, the CD is full of intricate synth beats, inventive guitar tones, and imaginative keyboard washes. For instance, "Things I Mean", and a good many other tracks, feature Common Children's Marc Byrd on guitar, who weaves an intricate tapestry of effervescent guitar tones that shimmer throughout the song like starlight. "Mystery In Me" is upbeat, almost rock, with complex percussion and a very catchy melody perfect for capturing Michele's hypnotic voice. Sedate and seductive, "Giving Up" pairs whispered and sung vocals that open up to a bright and absorbing chorus. With a minimalist approach, "We Take It On" slowly builds with disco drums, funked bass, and sizzling synth tones. Of interest to Adam Again fans is "If I Remember", a mirror of the classic "The Tenth Song" from the album Ten Songs By Adam Again. Looking back after the death of Gene Eugene, Riki sings "If I remember/ Then let me remember / The sweetness." Recalling the feel of her first album is "Forever Bright", a relaxed song of acoustic guitars and no electronic beat, which is only natural as the song was written by Steve Hindalong who played a large role in the writing of that first release. While electronic music with programmed drums is not exactly my simmering cup of tea, I've never been able to escape the gravitational pull of Riki Michele's voice. Repeated listens reveal production nuances and skillfully played, creatively written parts that appeal to even those like myself who normally eschew such music. You can download two songs and purchase Surround Me www.rikimichele.com. This review first appeared in WhatzUp, April 2002.

Review - Adam Again - Worldwide Favorites

So eager was I to get some word about Adam Again out into the greater Fort Wayne area that I reviewed a best of album. Desperate, indeed.

* * * * * * Many musicians believe that King's X is the most talented yet unappreciated band today but I would hold that this horrible distinction goes to Adam Again. After twelve years in existence, they have produced a mere five albums, each one better than the last. To add insult to injury, they are on a Christian label, meaning limited distribution and even more limited airplay. Part of the problem lies with songwriter Gene Eugene, the nucleus of the band, who takes up to four years to write lyrics for an album. But the result is always worth the wait. Worldwide Favorites, as the titles implies, is a 70+ minute best of album, but even so, it shows how incredible and underrated this band is. The Adam Again sound is guitar-based rock with a subtle yet overwhelming groove that makes all within earshot find themselves helpless moving to the catchy rock-funk of Eugene and co. "Stone" finds the band at their song writing best with a simple yet compelling chord progression as Eugene sings of his divorce from backup singer Riki Michelle with "It won't do any good. I never really could convince you that when I said to leave I meant 'Please stay.' There, I've said it now, too late." "Bad News on the Radio" and "Homeboys" speak in gritty reality of death and loss, true stories from when they lived in the inner city of Los Angeles. The hopelessly morose "Hide Away" speaks of loneliness with such painful lyrics as "Do you hide away because I just want to feel you? Darling I'm touching you now. Just don't know how to be near you. Baby, come close." Other tracks, such as "It's All Right", "Dig", and "Relapse" show what this band can do when it throws off all restraints with extended jamming that leave one physically unable to keep still. My only complaint with this disc is that of the sixteen tracks, only three are from the first two, nearly impossible-to-find albums. I know many who only enter a Christian book store every few years to buy the latest Adam Again CD and I suggest you do likewise, though don't be surprised if even there it has to be special ordered. King's X never had it so rough.

This review first appeared in WhatzUp, July 1999.