Monday, August 31, 2015
The ABV of this beverage is 5.9%, about on par with a dark beer. It smells very much like root beer but doesn't have a lot of carbonation. My first impression was that it was very sweet and then that the mouthfeel was wrong. It just seemed thin, more like water than pop** or beer. Even Lite beer. And then the aftertaste hit. Aftertaste in an ale? Unfortunately so. The only way I can describe it is "kinda oily." Weird. This didn't go away with subsequent tastes. Super-sweet, off-setting thinness, twang of oiliness. Repeat. Notice that I didn't include "enjoy root beer flavor" in that list as it was lacking any kind of depth. It was like someone poured cheap rootbeer flavoring*** into an average ale and added a couple of drops of 3-in-1 oil.
Once again I'm on the outs with the general population. The popularity of this brew is seemingly creating a market for other kinds of hard root beers, or at least it seems to from suddenly seeing this and others at the supermarket where before there were none. Go on, John Q Public, and buy your Not Your Fathers by the case... I have no need to put this into my mouth again.
* I work in one of those dreaded cube-farms so you hear every conversation going on within twenty feet of you without trying.
** "Pop" is my regional expression for carbonated sugary drinks. Deal with it.
*** We're talking store brand, as in Sav-A-Lot.
Thursday, August 20, 2015
“Fade Into You” opens with a crisp piano, played by Derri. Bass and drums enter, propelling the song into the verse where Tim playfully colors outside the lines. Funny how I just noticed how Tim plays a few notes off the root, adding some wonderful tension. Also extra-deluxe is the middle passage which is 100% keyboard but sounds amazingly orchestral due to the counterpoint arrangement and decent synth-string sound. The song sports amazing lyrics, yearning for a closer relationship with God, that are the kind of fresh and earnest worship that I wish were more en vogue today.
“15 Doors” lyrically foreshadows a Hindalong specialty in telling a story from a brief episode and expanding it to broader implications. This story is that their tour van broke down and they had to knock on fifteen doors before someone let them in. Imagine from the band’s side: They are late twenties and harmless Christian believers. Imagine from the home owners side: It’s late, it’s dark, and these spikey-haired punks are knocking on your door. However as Steve artfully puts it “I saw somebody in the window / A light on in the hall / Could I step inside for one moment / And give my wife a telephone call? / So sorry to alarm you / I’m not gonna harm you / Don’t call the night patrol.” There’s a tremendous amount of energy in this song perfectly encapsulated in the U2-ish guitar riff.
“More Than Words” is another early indication of their sound, utilizing Dan’s echoy lyricon to make a whispy, gauzy puff of a song with amazing lyrics told from our Redeemer’s viewpoint. While only 2:36 it seems just the right length for this shoe-gazing experiment.
You know it’s the eighties because “Tears Don’t Fall” has a sax solo. It’s a good one but still, it’s there. While more in line with their debut the production is better. So is the bass (which is up from in the mix and sounds thick a meaty) and the extra musical flourishes that keep your interest. “All Night Long” prefigures yet another Choir pattern, that of the moody and dark yet melodic and hopeful perfect pop song.
Shades of Grey is a foreshadowing of all that The Choir will become with strong pop-based melodies and a sense of experimentation and adventure, but not so much as to scare off youth pastors raised on Petra.
* Um, what are they looking at on the cover?
Friday, July 31, 2015
Recorded under the name of Youth Choir, Voices in the Shadows was produced by some guy named Thom Roy (or Roy Thom) who has since disappeared into his own shadows. In addition to the name difference, drummer Steve Hindalong was on the fence between joining this band and continuing with another band named “Lucky Stiffs” (which included future Choir bassist Tim Chandler) so he didn’t play on the album, although he is credited as having done so. Instead drum duties were handled by a drum machine. I’m sure it made sense back in 1985 but the lack of a drummer’s sensibilities and finesse and inventive chops definitely gives the rhythm section a kind of generic blandness*. And speaking of generic, there’s bassist Mike Saurbrey who appears now and then on Choir albums when Tim Chandler is stuck in the potty with roadside food illnesses. I have nothing against Mr. Saurbrey or his playing (except that he reminds me painfully of myself in the following description) but consider this: Mike: capable but unremarkable bass lines, looks like just some guy up on stage. Tim: crazily inventive melodic monster bass lines that add tension and depth to the songs, amazing stage presence. No contest! And then there’s the lyrics. Future albums had Steve Hindalong writing most of the lyrics and the man has a poetic way with words that brought acclaim to this band. This time out guitarist/vocalist/songwriter Derri Daughterty wrote the lyrics. As far as they go, they are decent but nothing spectacular, focusing on hopeful optimism not tainted by doubt and “who will help the children”, a subject that was quite en vogue at the time.
So what’s good about this platter? In listening to the album again for the first time in a decade I’m impressed with the quality of the songwriting and the vocal melodies. Sonically it’s a pretty good engineering job so kudos, Thom (or Roy)! However the standout feature of this debut album is Derri’s guitar playing. While not yet fully developed, one can hear the influence of British bands that will be explored more fully on later albums and on “Another Heart” one gets to hear the chiming, floating, ethereal playing style that will later become a huge part of the signature Choir sound. But at this point only one of the four players is in place so it really is a different beast than the band that will become THE CHOIR. Overall, it’s much better than I remembered (or didn’t remember). If the unvarying programmed drums were replaced with a real drummer this album would improve dramatically, possibly becoming a great example of upbeat 80s Brit-rock. Another standout is the pure eighties keyboard sounds! For the most part, keyboards were dropped from the bands later albums, except for when played through the lyricon of Dan Michaels. Oddly, no one is credited at playing these magnificently vintage tones.
* And now, the rest of the story: From a discussion on Facebook with Steve, he says "That's all nonsense. I was in the band (Youth Choir) since '83. First album came out in '85. Derri had written all the songs and the producer wanted to use a drum machine but barely knew how to program it. Anyway, we evolved."
Tuesday, July 28, 2015
The first two songs make the album. "Joyride" and "Justice" are two very hooky metal-pop songs that managed to creep into my brain now and then over the years. I had forgotten how the guitars are especially beefy, chunky and thick, like a good salsa. This is good stuff, Chester! But as the album wore on the guitar tones didn't change and there were very few melodic hooks, which is why I couldn't remember any songs other than the first two*. About halfway through I started to check to see how much of the album was left... never a good sign. And nothing personal but the vocalist has a generic voice that is nearly bereft of any kind of distinguishing characteristic, which also doesn't vary. I feel bad saying that because I'm sure he's a nice guy and all. It's actually a very good, strong voice but just not very textured. It was also about halfway through that I started to develop ear fatigue from the compressed production. Crunchy walls of guitars are great but ya gotta let them breath!
I'm not saying that the only redeeming quality of For Madmen Only are the first two songs. There are many strong points but not enough or of the right kind to make the album with me. For instance, the start of War Drums makes me think of the Spinal Tap song "Big Bottoms," which is neither a good or a bad thing. Some of the songs vary from the typical 4/4 meter, which is usually good, but doesn't develop this change into anything memorable. The lyrics are intelligent throughout and of a Christian inclination, without being overt. A favorite is from the song "Blackness" where he sings "We all wanna change the world / We don't wanna change our minds." I'm sure I turned this towards "the unsaved" back in 1994 but I've since seen that the church is equally blind and sheeplike, no longer looking once they've found what they're looking for. The album ends on a strong note with the nearly ten minute epic "New Dreams", a trick which producer Sam Taylor was fond of making King's X do on their earlier albums. In fact, "New Dreams" sounds a bit like King's X guitar tones, though with a bit less character, and having enough variation within itself and from the preceeding songs that it was quite enjoyable. Oh, did I fail to mention that Sam Taylor produced this album? It's probably why I even picked it up in the first place. It might also have been the last time I picked up an album based on this guy's name.
I think I'll stand by my rating of seven, though I'm tempted to drop it to six. 2.5 songs does not an album make.
* Two extremely good songs and the rest just kinda meh, somewhat like Jet Circus from the same era. STEP ON IT!
Friday, January 23, 2015
My wife and I started shopping at Meijers in earnest when the neighborhood grocery store (Scotts, which has been bought out by Kroger) was closed due to structural problems. Before that we were just casual friends. The nearest Kroger was twelve minutes away but Meijer, which was less expensive, had more organic items, and had an entire store of non-grocery items as well, was just a few minutes further.
And so began once-a-week (instead of multiple times when we realized that we needed something) grocery shopping. We saw signs about Meijers mPerks program but figured it was similar to Kroger’s e-coupon program, which we didn’t find very useful. A few times Melynda would have a checker tell her “You could save a lot of money if you used the mPerks” while scanning yet another $200+ grocery cart but we foolishly didn’t look into it.
Until that fateful day (yeah, so I’m being overly dramatic… sue me!)
I logged in and signed up with my cell phone. What in tarnation? Save ten bucks after spending $100?!?!? Save $5 after buying $25 of produce? And we have four weeks to do it? We buy at least that much produce in a single trip! It didn’t take long to set up a second account under my wife’s cell phone number with the same “coupons.” Then we started kicking ourselves for all the hundreds of dollars we had thrown away over the years for not taking advantage of these amazing deals. It turns out we were a bit premature in our kicking.
If you go and spend $200 and your “coupon” is for $10 back for $100 spent you don’t get $20. You get $10 and the credit for the other hundred bucks vaporizes into the internets.
TIP #1: Have more than one mPerk account. This way you can ring up multiple purchases on different accounts and get credit for them. In the above example you put $100 on each of two mPerks accounts for double the rebate. Yes, it makes things more complicated and you end up segregating your grocery cart (“Let’s see, I have $15 left to spend on Frozen Foods on mPerks account A to get the credit but I’ve already used that “coupon” on mPerks account B so I need to make sure everything frozen gets put under account A”). Trying to mentally juggle two accounts while shopping with small children is, in video game lingo, Expert Level difficulty.
Another thing to note is that unless it’s a special deal (see below), you don’t get credit for your purchases until twenty-four hours later so I can’t earn $10 on my card, log onto the site with a smart phone to sign up for another “coupon” and walk back into the store to buy more stuff with it. Nope… you have to come back the next day. Or in our case the next week. That is the genius of multiple accounts.
The funny thing, though, is that when we logged in after our initial trip we saw that the coupons had changed. Instead of get $10 back after spending $100 now it was get $7 back after spending $150. Hmmm. I knew it was too good to be true. Still, that’s nothing to sneeze about and $7 is $7 we would have spent before. The next time it was $10 for $225. It kept going up. As you would expect these rewards are customized to each account by some computer algorhythm. Most of the grocery shopping goes on my wife’s mPerks account so at this point in time, she has an offer for $10 off $400 of purchases made in four weeks while my account is for $10 off $275. What can I say? The computer likes me. Offers for money off produce (which we buy anyway) have been gone for many moons and instead we have offers for toys or footwear (which we don’t usually buy) or $7 back for buying $90 of frozen foods. That’s a lot of Smiley Fries, kids, and in the rare instance where we hit the frozen goal it’s because something (or somethings) were on sale and we stocked up. At this point mPerks is still worthwhile but since we don’t spend $800 a month in groceries (thankfully) we usually only get money back on one account, usually about $15 per month. It’s free money without doing the whole extreme coupon thing. I don’t know if the amounts will eventually settle to our monthly spending or if they will continue to increase to the point where they are insanely unreachable ($10 for spending $1000!) Is it possible that the amounts will decrease if we don’t use the card? I smell an experiment!
I realize that I forgot to mention how you get the money back. No, it t’aint a check like Mendards does but rather it’s a credit on your mPerks that expires in about one month. The next time you shop it will ask if you want to use this credit, which adds another level of complexity. If your month is almost up and you’re going to be close to your goal do you want to risk not hitting that goal by cashing out your rewards? It’s just a complicated numbers game, I tell ya! For a logic dork like myself it’s a nice mental problem to figure out. My wife has enough on her plate so it’s a headache to her.
One thing which Meijers appears to use strategically is a coupon printer at the checkout. Back before we used mPerks and we spent over $250 we would get about a dozen useful coupons. Now we can go months without getting a single coupon. I may be paranoid but I think they also track my credit card because I would get coupons on Trip C for things that I purchased on Trip A. How did it know?
Tip #2: Have even MORE mPerk accounts. You can set up an mPerk account without a cell phone though I don’t know if they check to make sure you don’t have any other accounts. An easy thing to do is to purchase a $20 Tracfone at Dollar General (or wherever fine Fones are sold) and set up a new mPerk account. Yes, it could get complicated having three accounts but based on our earlier experience, you would earn that $20 back in less than a month. It would then take a few months of regular shopping to have the mPerks account start offering you crazy deals ($7 for $400) and perhaps by then your first card will be making more reasonable deals (if they do such a thing… see experiment above).
Other deals are their Baby and Pharmacy programs. For the Baby one, you earn $10 for the first $100 of baby things (diapers, etc). For the next ten bucks, though, you have to spend $200. Then $300. And on and on it goes. There isn’t a four week time limit on these, which is mighty gracious of them Meijer’s folk.
In addition to the usual e-coupons are the occasional mPerks special deals. These are listed with the coupons and you have to clip them and log onto the web site often to grab them when they are offered. The most recent offer was $5 back on a single $75 shopping trip made during a three day window. The nice thing is that the offers stack. For example, if you had an offer for $10 off $200 spent overall, an offer for $7 off $50 in frozen foods and one of the special $5 back on a single $75 shopping trip, every dollar you spent on frozen foods would apply to all three! Every dollar you spent on non-frozen foods would apply to the $200 overall and the $75 single-trip. In this case I split our usual weekly trip into two mPerks accounts so we got the $5 off a single trip on both for a grand total of $10 saved.
Uh, so that’s about it, I guess. Have multiple accounts and do lots of mental financial juggling.
Wednesday, January 7, 2015
Now I can pop in the CD on a whim as well and I am reminded how my brothers and I would listen to records of Mary Poppins, The Jungle Book, and even The Rescuers, using our imaginations to fill in the things our eyes couldn't see. Listening to this CD takes me back to those days in a way the video can't, crowded around the TV, screaming for justice that Pete was in my way or that Chris was hogging the popcorn bowl. All the songs are here, from the opening musical number where the candy would flow across the screen like a river to The Candy Man (who my brothers and I would emulate by climbing up on the counter and toss down candy to the others). There is even the song by Charlie's mom, Cheer Up, Charlie, the only part of the movie that bored us kids (to this day, we fast forward through this song). There is the wondrous Pure Imagination song, the bizarre poem recitation while on the boat, and Veruca Salt belting her way through I Want It Now. And we can't forget the Oompa Loompas, can we? Every song by the these pointed-panted fellows is fully represented (four in all), guaranteed to tumble around your brain for days after hearing them. At the beginning of many of the tracks are snippets of dialogue or sound effects from the movie that work quite well into drawing you in to this magical fantasy land where you can eat dishes, float through the air (and then burp gleefully), or swim in a chocolate pond. With this CD, I found my golden ticket to hours of imagination, memories, and fun!
This review first appeared in WhatzUp, June 1999.
I'm currently suffering from lack of sleep, balloon-head compliments of cold medication, and the kind of artificial buzz one gets from downing a quick can of Mountain Dew. It is from this unique combination of mental vertigo and alacrity that I am finally able to fully appreciate A Prayer for Every Hour, the first album from New Jersey's Danielson Famile, originally released in 1995.
Started as a Rutgers BFA thesis project, Danielson Famile is an actual family with Daniel, the oldest child, serving as the chaotic bandleader. Daniel writes the songs, sings (sort of), plays guitar, and leads his siblings in performing the twenty-four songs on this album. The concept of the album is that one should listen to one song at the beginning of each hour for maximum effect.
Their sound is wholly unique and will either drag you in or send you screaming for aspirin. Succinctly, it's the gospel muppets on crack. Daniel sings in a squeaky falsetto voice that demands your attention, piercing the misty haze of your mental doldrums. Musically there's the angular changes of the Pixies with elements of Heavy Vegetable, Chris Knox, and Pere Ubu, all played with approximate rhythms and "whatever is on hand" instrumentation. Some songs, such a "Nice of Me" and "In The Malls Not Of Them" have a Violent Femmes Hallowed Ground-era feel, being dark, sparse, edgy and almost creepy. "What To Wear" begins with a cappella "Row Your Boat" before jumping into pan flutes, distorted guitar, and doubled squeaky vocals. Very few follow accepted songwriting formats and all rhythms are approximate, leaving the listener constantly unsettled.
The other unique aspect of this band is their odd combination of such avant-garde music with a Christian worldview. "Like A Vacuum" opens with "If I were a tree/ My branches would be broken / But my roots would be so deep / I'd be sucking water like a vacuum" and later changes to "I may be silly but I laugh more than you", ending with deranged laughter (and he laughs as strangely as he sings). In "1,000 Push-ups" he squeals "I spoke to God and told Him I screwed up again / He said, "Dan, give me ten push-ups." All of the lyrics follow in this heartfelt, innocent, off-kilter vein, which is why I'm fairly certain you won't be singing these songs in church anytime soon.
As if the music wasn't deranged enough, this re-release contains a second CD containing four videos. Sweet mother of God, are these videos whacked! Sporting the same low-fi, DIY ethic as the music is a roughly animated tutorial on how to use the first CD, narrated by a piece-mail horse that screams as he's dismembered and reassembled into a clock. Priceless. There are also two videos of their first live performance and a concept video for "Heads in Da Cloudz" that is so low budget that it can't even afford an analogy. The music of Danielson Famile is fun, whacked, original, and real. It's home schooling gone very, very wrong.
This review first appeared in WhatzUp, September 2002.